Break out your digital projectors, markers, turntables, lasers and 3D glasses, because Graffiti Analysis version 3.0 is finally here. For information and downloads go to graffitianalysis.com (source code available on github). Your one stop shop for ink and pixels.
New features include:
- audio input
- architectural awareness
- laser input
- keyword based .gml RSS playback
- red / cyan 3D effect
Overview:
Graffiti Analysis is an extensive ongoing study in the motion of graffiti. Custom software designed for graffiti writers creates visualizations of the often unseen gestures involved in the creation of a tag. Motion data is recorded, analyzed and archived as a Graffiti Markup Language (.gml) file, a specifically formatted XML file designed to be a common open structure for archiving gestural graffiti motion data.
At first glance, electronic circuit boards may seem as far from art as you can get. But look closer, and the boards have patterns, horizontal and vertical grids that have a strange, precise beauty to them.
It’s the kind of beauty that we perceive in the whorls of a seashell or a grain of wood, says Theo Kamecke, an artist who is taking vintage circuit boards and transforming them into pieces that can adorn homes and galleries.
Kamecke has harvested the etching from the boards, then affixed them to hardwood to create the effect of polished metal on stone.
The results are exquisitely decorated chests, sculptures and boxes.
“Either you get it or you don’t, either you like it or you don’t,” says Kamecke. “I don’t mass-produce these, and no one else makes them.”
Le Concretophone derived from a performance research on working environments. Its name derives from a Brazilian art movement contemporary to Beat poetry which started as Poesia Concreta. It is a telephone made interactive with the combination of an Arduino microcontroller (www.arduino.cc) and a Waveshield (www.ladyada.net).
When picking up its handset, we are greeted by a sound mix of various customer service answering messages ( Talk Talk, House of Commons, White House…). Choosing between the options by pressing its buttons, we then hear a selection of six poems (Ginsberg, Decio Pignatari, Eliott).
The listener, faced with a transparent 1980′s retro phone is put in the playful position of wanting to pick up, promptly surprised by a disturbing set of forcefully suave voices, a deranged blend of familiar instructions.
Instead of sought after customer relief, the listener is now bound to hear poems about time, leisure and imagination.
The sound content can be changed according to the environment, the context and our intentions, thanks to removable SD card. We intend to continue developing its interactivity, aesthetic, and humour.
A small enterprise “Kamenny poyas” (”Stone belt”) in Kasli follows the traditions of the classic art casting. Today more than 65 people work in the enterprise.
WALKING HOUSE is a modular dwelling system that enables persons to live a peaceful nomadic life, moving slowly through the landscape or cityscape with minimal impact on the environment. It collects energy from its surroundings using solar cells and small windmills. There is a system for collecting rain water and a system for solar heated hot water. A small greenhouse unit can be added to the basic living module, to provide a substantial part of the food needed by the Inhabitants. A composting toilet system allows sewage produced by the inhabitants to be disposed of. A small wood burning stove could be added to provide CO2 neutral heating. WALKING HOUSE forms various sizes of communities or WALKING VILLAGES when more units are added together. WALKING HOUSE is not dependant on existing infrastructure like roads, but moves on all sorts of terrain.
Back in April we posted about Jason Scott’s upcoming documentary about Text Adventure games, “Get Lamp”. I had the opportunity to see the “one-hour mix” of the film, along with an almost-hour-long “special feature” all about Infocom at The Next HOPE back in July. It was well-made, informative, and entertaining with lots of funny and interesting bits.
A brief screening tour is set to kick off in September and you can purchase the DVD at the film website. The packaging for the DVDs is pretty cool too, with some rad box art and an individually numbered coin, as an homage to the great Infocom game packaging of yore. Check it out!
Alternators made in Budapest, Hungary, in the power generating hall of a hydroelectric station in Iolotan (Eloten), Turkmenistan, on the Murghab River, ca. 1910… Big Picture by Alan Taylor…
With images from southern and central Russia in the news lately due to extensive wildfires, I thought it would be interesting to look back in time with this extraordinary collection of color photographs taken between 1909 and 1912. In those years, photographer Sergei Mikhailovich Prokudin-Gorskii (1863-1944) undertook a photographic survey of the Russian Empire with the support of Tsar Nicholas II. He used a specialized camera to capture three black and white images in fairly quick succession, using red, green and blue filters, allowing them to later be recombined and projected with filtered lanterns to show near true color images. The high quality of the images, combined with the bright colors, make it difficult for viewers to believe that they are looking 100 years back in time – when these photographs were taken, neither the Russian Revolution nor World War I had yet begun.
Sensology is a short animated film that visualizes in abstract form, an improvised musical session by two leaders of the avant-guarde jazz movement, Paul Plimley (piano) and Barry Guy (bass).The music was recorded on November 9th, 1995, at the Western Front in Vancouver, Canada
Sensology was handdrawn (painted) with a Wacon tablet at first, and later, a Cintiq, using Adobe Photoshop. The drawings and frames were then composited and manipulated in a 2D software called Animo. There is no vector animation at any point in the film. The animation was done stream of consciousness, one frame at a time at a rate of 30 frames per second.
smoking machine’ by kristoffer myskja, 2007 the mechanical sculptures of norweigan artist kristoffer myskja are all somewhat strange, but the strangest of all is the ‘smoking machine’, which literally smokes cigarettes. the artwork features a small device made from brass that most prominently features a ramp of cigarettes. each cigarette is gravity fed onto a holder, where it is lit and slowly smoked by an air valve that is electrically driven. as the gears turn, the cigarette slowly disappears until only the filter is left. the machine then ejects the cigarette and ashes onto the floor below, loading the next one into the holder.
Printable catalog (PDF) or (EPUB)
